Frederick Douglass’s Selfies and the Importance of Photography – The DickinsonianWith around separate images, Frederick Douglass was the most photographed American of the 19th century. The great abolitionist saw the medium as an incredibly useful tool: Photography was a way to ensure true depictions of African-Americans; it was a way to directly combat racist caricatures and showcase the dignity and humanity of people of color. Douglass wanted to confront the viewer through the image — many of his portraits feature him solemnly looking directly at the camera and at the viewer — and shape cultural conversation with the "moral and social influence of pictures. For a fascinating encapsulation of Douglass's thoughts on the art form, look to his speech "Pictures and Progress. Attendees can assist RIT's Big Shot photographers by shining a flashlight on the Douglass monument as they take a new image of the year-old statue. Wednesday's event begins at p.
Frederick Douglass Memorial Bridge Project - Progress: The Video
PICTURES AND PROGRESS
This thesis examines Frederick Douglass' artistic interventions embedded in his lecture "Pictures and Progress. Closely reading Douglass' theory of "thought-pictures," I illustrate how the photographic landscape engages Blackness as an avenue of ontological transformation. To further explore the gestures of Douglass' philosophic insights, I look towards theorist bell hooks and contemporary photographer Carrie Mae Weems to elucidate the existential and ethical possibilities of photographic seeing and space. By critically engaging Douglass' theoretical lens through hooks and Weems, I suggest that Black photography offers profound orientations of being, visualizing structures of an existence more expansive than notions of universal humanity and offering a radical ethic of seeing. Introduction P. Conclusion P. Bibliography P.
Within four months, the statesman would be dead, collapsing after an appearance before the National Council of Women in Washington, D. Throughout his life Douglass was acutely attuned to the social power of photography. The exhibit, which runs through July , is based on an oversized book of the same name published last year, co-written by Harvard University Professor John Stauffer and two of his former graduate students, University of Nottingham professors Zoe Trodd and Celeste-Marie Bernier. The epilogue was written by Henry Louis Gates, Jr. He recognized the power a photograph could have in cultivating a public image.
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missing 411 off the grid book
Jones, Jovonna Mara (2015)
Yale professor Laura Wexler said Frederick Douglas saw the then-newly invented field of photography as an important tool in ending slavery in s America. Wexler, a professor of American studies and co-director of the Yale Public Humanities program, gave a Clarke Forum lecture on the importance of photography. Douglass, who was a nineteenth century abolitionist, believed he could inspire others and help portray the pride of being African American through photography. Douglass was known for taking various self-portraits of himself throughout his life. Wexler noted that Douglass extrapolated from modern photography, but tried to use his images to resolve societal issues. It was held on Nov.