Vikings: Life and Legend review – a stirring tale of shock and oar | Art and design | The GuardianIt features original scholarly articles, interviews, translations, and book reviews. Published by Catalog of books published between September and February by Cornell University Press and its imprints. Catalog of books published between March and August by Cornell University Press and its imprints. View the PDF or the Issuu version. New and recent books published in the fields of Asian studies by Cornell University Press and its imprints.
The Real Ragnar Lothbrok // Vikings Documentary
Book Review : Vikings Life and Legend – edited by Gareth Williams,Peter Pentz,Mathais Wemhoff.
Gareth Williams is the owner of one of the most extensive collections of chess memorabilia in Europe, a collection that includes sets, boards, clocks, cards, prints, photos, ceramics, and more. Vikings : Life and Legend. In the ninth and tenth centuries, the Vikings created an unrivalled cultural network that spanned four continents. Adventurers, farmers, traders, conquerors and sailors, the Vikings were both peaceful and fierce, fighting or bargaining their way through as far as Constantinople in the East, North America and Greenland in the North, the British Isles in the West as well as into the Mediterranean. Throughout their existence, the Vikings encountered a remarkable diversity of peoples and inhabited an expansive and changing world. This beautifully illustrated book explores the core period of the Viking Age from a global perspective, examining how the Vikings drew influences from Christian Europe and the Islamic World and how they created a lasting historical impact on our world today. Highlighting an extraordinary range of objects and featuring new discoveries by archaeologists and metal-detector users, the cultural connections between Europe, Byzantium and the Middle East are explored in absorbing detail.
cbm11.org: Vikings: Life and Legend (): Gareth Williams, Peter Pentz, Matthias Wemhoff, Her Majesty Queen Margrethe of Denmark: Books.
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In the ninth and tenth centuries, the Vikings created a cultural network that spanned four continents: from the Caspian Sea to the North Atlantic and from the Arctic Circle to the Mediterranean. The Viking Age was a period of major change as a result of the Vikings' impact on neighboring areas and the introduction of external influences into Scandinavia. This book explores Viking culture from a global perspective, examining the influences of their varied contacts from around the world and how Viking Scandinavia drew from both Christian Europe and the Islamic world. The book focuses on the core period of the Viking Age, from the late eighth to the early eleventh centuries. New discoveries by archaeologists and metal detectorists highlight the interconnected nature of the cultures of Europe, Byzantium, and the Middle East. Edited by the exhibition curators Gareth Williams, Peter Pentz, and Matthias Wemhoff and with contributions from a number of key experts, the book, with its strong, flowing narrative and integrated illustrations, draws on a wealth of Viking objects to provide a rich and vivid account of the impact of Viking expansion throughout the world.
A nyone who has even dipped a toe in the briny sagas of the Viking kings will know that the stag outing the itinerant Norsemen prized above all others always began something like this: "On Saturday the fleet-lord throws off the long tarpaulin, and splendid widows from the town gaze on the planking of the dragon ship. He died at the Battle of Stamford Bridge in along with his poet. For nearly three centuries prior to that, the collective skill of creating "brand new warships" in a society seemingly geared to the singular thrill of that moment of setting forth on the ocean, west or east, powered a culture that came to explore, colonise, terrify and enslave large parts of northern Europe and Asia, and which extended its trading reach to Constantinople, Newfoundland and beyond. The word "viking" was originally shorthand for the experience of throwing back that sealskin tarpaulin and setting oars to water, deriving from "vik", which was the name for the mouth of a river or fjord. One thing this quite austere British Museum exhibition seeks to establish is that the lines of the saga poets were secondary to the lines of the ships themselves. The legends of the exhibition's title are told very much through its objects rather than its famous verses though the soundtrack is a looped, guttural telling of some of those legends in a language you seem to half understand from box sets of The Bridge.
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